Danny Laffey • HagerSmith
July-August 2018
Read More
July 6 - 28, 2018
VAE is a hub for a diverse network of artists, a venue for artists to advance their careers, and a voice to influence positive change for the creative community. As a part of our hub, VAE hosts a number of artist groups with varying disciplines for artists to meet, discuss, and create art. VAE wants to showcase the diversity and multitude of works and creativity that our artist groups help to produce.
VAE wants to showcase a range of textile works highlighting the diversity of process, materials, and presentation within this wide medium and industry. Honoring North Carolina’s rich history with textiles an focusing on works build on and expand its foundation. The intended impact of the exhibition is to expand our audience’s idea of what textiles can be.
Read More
AJ Fletcher
May - November
Pet the Zoo is VAE’s petting zoo!. The zoo will be a place to be indoors with family and friends for the month of June. A sanctuary for the animals created by artists to exist to be petted, fed, and cared for by the general public as they stay still in their hay-filled domain.
Read More
What if you got to design your own perfect city totally from scratch? What would it look like? In My Backyard (IMBY) is a month-long collaborative experiment where we come together and try to do just that, right here in VAE’s main gallery.
Read MoreJune 1 - 29, 2018
United Arts Council
The Walls We Build is the inaugural theme for the artist UNITED to ask and explore “how people treat each other.” Walls, both physical and metaphorical, exist throughout the world. They have an application of separating people and places. As such, the question “how people treat each other” bares the deeper consideration of why humans desire to split and divide themselves. Highly political and personal in its foundation, UNITED states “Our strength as citizens and as artists arises from our ability to question and debate issues, contradictions and ironies that confront us.”
May - June
ARTIST BIO
Courtney Potter has worked as a professional painter, photographer, filmmaker, and artist for the last decade. As a child she explored multiple art forms—performing in the St. Louis children’s touring choir, writing and illustrating short stories, and playing piano at Carnegie Hall in high school.
Courtney graduated from UNC-Chapel Hill in 2009 with a degree in Photojournalism. Her photography projects have taken her across the world and earned her multiple awards including College Photographer of the year, WPJA, WPPI, and the Santa Fe Photographic Workshops. Her paintings have been featured in art shows along the East Coast, and she’s currently preparing for three 2018 solo exhibitions in the North Carolina Triangle (Raleigh – Durham – Chapel Hill) where she lives.
Authenticity and love fuel Courtney’s work and life purpose. Just like you, she values excellence and soul: she’s not a fan of trends, tropes, or mediocrity. Your artwork won’t look like everyone else’s, because you aren’t like everyone else. You live your life boldly from a foundation of love, and you want paintings and photographs that match your truth.
Courtney helps individuals (who love themselves), couples (who love each other), and creative business owners (who love their work) tap into their own authenticity and creativity. She does this through her exquisite abstract paintings that transform your living space, honest wedding photos that celebrate your quirks and your deep love for your community, stunning boudoir photos that remind you how you feel in your sexiest moments, or soulful branding visuals that let your inspiration behind your brand really shine through.
When not painting or making photographs, you’ll probably find Courtney rockclimbing, chasing her dream to live on a houseboat with her boo, or exploring the Pacific Northwest. Her deepest joy is found in exploring (whether it’s new ideas, the world, or her own creativity) and connecting (with her community, her family, and her friends).
Also, the pelvis is her power symbol.
Project Statement
For the past months I immersed myself in stories of Muslim women, learning what inspires us to resist and to exist in these times of national chaos, global catastrophes, and day to day struggles. My resistance purses are portraits of contemporary human struggles and triumphs. They are empowering, bold, and collaborative, fueled by our collective passions; they serve as a documentation of an era in which voices are silenced, yet, remaining silent is not an option. This is an ongoing project that seeks to re-contextualize how we view protest, and allows insight into the hearts and minds of a diverse community of women. And I couldn't have thought of a better partner than photographer-friend Caroline Cockrell to join me on this journey called The Protest Purse.
In April, the Contemporary Art Museum of Raleigh (CAM Raleigh) opened an exhibition of work by artist Margaret Bowland, whose paintings incorporate, among other symbols, women and girls of color painted in white face. Ms. Bowland herself is white, and without proper context the exhibition threatens the misappropriation (or, worse, the marginalization) of Black history and culture, which is troubling for many viewers.
As a fellow City-funded arts organization, Visual Art Exchange (VAE Raleigh) agrees with CAM Raleigh that art is a powerful tool for communication. VAE Raleigh also believes this communicative power comes with significant civic responsibility. Unfortunately, CAM Raleigh has not adequately answered individual questions and concerns about the exhibition from members of the creative community. Members of that community approached VAE to give institutional voice to their questions and concerns.
VAE Raleigh believes it is essential going forward that the whole of the presenting art community (patrons, artists, and administrators) are clear on, conscious of, and communicative about the line between provocation and exploitation. We respect provocation as an effective tool for raising awareness and sparking conversations to bring about change. However, responsible, socially engaged cultural art institutes start with an intended impact and work backward from there to present art that achieves the desired ends.
To this end, we are devoting the 2018 VAE Summit to furthering these important conversations and, together, arriving at standards and values that reflect our diverse, inclusive community. Join us on July 21, 2018 as we figure out how Triangle creativity can do its best work!
design our exhibits and programming from the outside in, by engaging the community in the planning process.
align our resources to identify and address problems using creativity.
make sure that all exhibition opportunities have real value for participating artists, including press, print materials, and financial compensation whenever possible.
engage with challenging or provocative work by contextualizing it and facilitating open dialogue about it.
support free creative expression and lift up work that creates the most positive impact for our community.
communicate transparently with our audience about the intended impact of our work, the engagement process during planning, and how others can be involved in our projects.
never exhibit or financially support work that co-opts the story of a community without representation from that community acting in a decision making role.
select guest curators from communities represented in our exhibits. Charge those curators to engage members of the community in the discussion and to create programming that shows a diverse set of views from that community.
require guest curators to submit all works for review six weeks ahead of the exhibition so that VAE can make sure the works fits these guidelines and that challenging work is well contextualized in our communications about the exhibition.
design programs, exhibits, events, and funding opportunities that are culturally, physically, and financially accessible.
use our institutional privilege to give voice and opportunity to people who might otherwise remain unheard.
earn a reputation as an inclusive space where thoughts, concerns, and ideas will be heard.
admit when we make mistakes, learn from those mistakes, and work with the community to better understand their diverse perspectives.
THE EVERYDAY is a multi-venue, multi-discipline, cross-disability project with the curatorial goal of highlighting universal experiences, told from the disability perspective, presented in an audacious way. This project will take place in August and September of 2018. The project is led by an international steering committee of people and artists with disabilities and people with careers at the intersection of arts and disability. The steering committee was strategically built to give this project the national reach and perspective needed to produce an event that is unique to our community. The project will be centered around a visual art exhibition, which will be mounted in VAE’s main gallery and curated by Sam West, head curator at Attenborough Arts Centre. The project will also include a keynote address, panel discussions, interactive activities, and theatrical, musical, and dance performances.
Read More
May 2 -25
United Arts Council
ULTRALIGHT 2 is an exhibition of artwork about disability, created by artists living with disabilities. VAE is offering a platform for artists who identify as living with disabilities to take back the narrative that is so often controlled by the medical field, media, and stereotypes. ULTRALIGHT 2 seeks to exhibit work that challenges the viewing public to leave their preconceived notions and sympathy at the door, and experience artwork that tells the real story of living disabilities and the current state of access. The exhibition breaks access into three parts: physical, communication, and attitude.
ARTISTS
Angela Dawson - Wallflower
Rachel Fann - Anxiety Brain
Effy Francis - Sick, Nero
King Godwin - 18-m109 The elephant is happy in the rain because it feels like a shower "67", 18-m301 The bear is smily because its playing with the friend
Wiley Johnson - Uplifting
Eduardo Lapetina - A Simple Happy Life
Jennifer Markowitz - Fleshmap: Chicago 1988-1990, Fleshmap: Chicago April 1992
Jeff Newell - Lined up as meaningless cogs, That Confounded Bird
Mitchell Price - Imaginative Astronaut
Jaime Robertson - Flourish
Jean Shortall - You're Only as Beautiful as You Feel Inside
Efrat Vaknin - WECONNECT, WEMASTERBATE
Evan Webster - Not Today!, Untitled
Eric Wolf - Magma and Ice
Sherry Spencer - WE ARE FAMILY
AWARDS
1st - Effy Francis Sick
2nd - Jennifer Markowitz Fleshmap: Chicago 1988-1990
3rd - Jeff Newell That Confounded Bird
Merit Awards
Rachel Fann - Anxiety Brain
Jean Shortall - You're Only as Beautiful as You Feel Inside
Write here…
In today’s culture, we so rarely mail things. This project encourages students to think about the ways in which we communicate our creative ideas.
Teachers, students, and parents are encouraged to request postcards using the link below. Students will use the postcards as a base for their creative ideas, staying within the guidelines printed on the back. Using the First Class postage provided, the postcards will be mailed back to VAE and then exhibited at our community partner UAC's storefront windows. This project encourages students to be CREATIVE, while working within RESTRICTION, and includes an element of CHANCE.
Read More
Aloft Raleigh
April - June
ARTIST STATEMENT
William Drewitx (Bill) is an emerging artist that has worked with ink for 35 years. Creating intricate pen and ink drawings since he could hold a pencil, he recently embraced his artistic ability to create photos that are a unique blend of color, light, and design.
Nature reflects the duality within each of us. Nature is chaotic and harmonious, violent and peaceful, tumultuous and still, cunning and innocent.
Humans are a part of this duality, capable of malicious acts and of benevolent kindness.
The photos of William Drewitz embody the duality of nature and humanity where chaos and harmony play together in a single photo.
How the image affects the viewer is a reflection of the inner self at that moment.
By mixing UV ink, solvents, and oils a pattern is created and then photographed digitally using macro-photography. The art was born from a desire to have a creative outlet coupled with a major life change. It shows the complexity, the beauty, the emotion, and the ever-changing flow of our lives. Bill hopes you find yourself in the experience of these pieces. Everyone sees something different and has a different emotional reaction to any given design.
What do you see?
ALoft RDU
April - June
ARTIST STATEMENT
Chryssha Guidry was born in Florida in 1991. In 2013, she
graduated from Flagler College in St. Augustine, FL, with a BFA in Fine
Arts, Psychology, and a minor in Graphic Design. In 2014, after traveling
across country in a Chevy Conversion van, she landed in Asheville, North
Carolina. Finding a true love for North Carolina, she now resides in
Durham, NC.
This work started as a form of therapy, a method of release. The actions
organically evolve amongst each other, and she emphasizes these
relationships visually. Information is being obscured rather than
revealed. The continuous direction combines multiple perspectives, each
one making the last more obscure showing the whole is less than the
sum of its parts. There is a physical experience that can be considered
the peak, if not the overall purpose of one’s perception of this work. This
is experienced through relaxing and surrendering to the emotion that is
transpiring lulling them into a reflective escape.
VAE's next Artist Critique will be held, May 29th, with guest critic, Harriet Hoover. This event open to contemporary artists. Critique space is limited.
Read MoreA chance to speed date with four of the Triangle's most sought after digital gurus! Find out how to elevate your work in the cyber world on Monday April 23rd!
Read More