Exchange Gallery: May Featured Artists
May 6 - 26, 2016
Exchange Gallery
Featured artists: William Breazeale // James Hallenbeck // Ann Howe // Mary Storms
May 2016 Featured Artists
May 6th-26th, 2016
Opening Reception: May 6th, 6-10pm
William Breazeale
I am a representational landscape painter. I have lived and worked in the Raleigh/Durham area for over forty years, and have witnessed a remarkable transformation of the rural landscape into a complex urban environment. This rapid rate of change in our surroundings offers subject matter for my work: the sometimes jarring juxtaposition of the old with the new; the perception of the transitory replacing the permanent; and the contrast between the basic and the complicated.
The result is that my work often incorporates a panorama illustrating the scale, complexity, and vast expanse of our urbanizing surroundings -- one that contrasts with the partial and incremental view we encounter in our everyday lives. At times I use exaggerated perspectives (from close to the ground or an aerial view) to emphasize the abstract relationships of urban forms and open spaces. In other cases, the constituent parts of mundane objects/scenes can be reorganized to create a new version of commonly experienced places, such as parking deck or airport baggage claim area.
Since I have spent most of my adult life here I have developed associations with locations in the region that have meaning to me. As such my work tends to be of specific, recognizable sites.
I am currently working on a series of Downtown Durham cityscapes that explore the relationship between the past and the present. The downtown historic district, containing wonderful examples of art nouveau and classical revival styles, provides rich subject matter, especially for rendering of architectural details. The redevelopment south of the railroad tracks provides a contrast - in both scale and form - to the original Central Business District.
Jim Hallenbeck
My art has largely been of landscapes, cityscapes, and, at times, the people captured in these scenes. My approach in painting is to represent each subject realistically, while at the same time to accentuate its bright colors. I find my approach to painting to be one of deep introspection complete with a wide range of emotions - inner peace, happiness, honesty, and truth. In turn, I hope to communicate something to the viewer, to trigger an emotion, to spark a memory that resonates on a very unique personal level.
Ann Howe
Growing up in rural Virginia I spent much of my free time outdoors and learned to know and love the natural world and to develop some sense of the mystery that resides there; this has stayed with me throughout my life and informs my work. Art has the power to make us see even the most familiar things in a new light; in the works shown here I aimed for scenes as they appear in memory or the imagination, leaving the viewer free to find his or her own meaning or emotional response.
In all of my work I try to respond to the different possibilities offered by the several media that I use. The fluidity of the hot wax used in this work gives it more freedom and spontaneity than my work in other media and this, in turn, makes me see things in a new light.
Mary Storms
I express my artistic vision through abstract mixed-media landscapes. I am intrigued and inspired by the natural environment. My intent is to provide the viewer with a sense of the symbiotic relationship between the primeval elements - stone, soil, water and sky - and the lifeforms these elements nurture.
I love experimenting with color, be it bold and vibrant or quiet and subdued. No matter what palette I use, my mixed media canvases and many of my acrylic-only canvases are usually textured. For mixed media, I layer torn or cut handmade paper and/or recycled magazine paper with acrylic paint, sculpting paste and an occasional found object. To add additional depth and texture, portions of some layers are literally scrubbed off with water before the paint, glue or sculpting paste has completely set. Some of these scrubbed portions are left “raw”, while others are repainted and/or papered over. For my acrylic-only canvases, I apply thick layers of paint with brushes, palette knives and my hands.
Lisa Bartell / HagerSmith PA
April - May 2016
Community Exhibits
In Finding Faces, Lisa Bartell uses oil paint to play with the human figure and create whimsical works that are all part of a healing process for her.
Finding Faces
April - May 2016
First Friday Receptions: April 1 & May 6, 6-9pm
300 S. Dawson Street, Raleigh, NC 27601
Artist Statement
Looking back on each body of paintings, I now see how creating has healed and transformed my life. After years of working as an illustrator and portrait artist, I began oil painting as an internal expression. Uncovering hidden layers of the self, made it obvious that I needed to visually reflect what I was feeling. My paintings have been consistently influenced by past events which suddenly changed my internal perceptions of reality.
In a way, I’m returning to my childhood habit of staring at wood grain and discovering faces. Each painting begins with a dark hue brushed in various directions creating nebulous forms. Standing back from the canvas begins the search for lines and shapes that will influence the painting. After a lot of focused staring, imaginary yet recognizable imagery appears. Colors and brushstrokes are constantly transforming, while making decisions about what is or isn’t working in the composition. My ego wants to keep every form, but stripping away what doesn’t enhance the painting is part of the experienced and rational aspect of creating.
I often have to tell myself to just stop. The painting is finished.
My current paintings are a more playful expression, as the imagery is whimsical figures and mythical creatures. My goal is to create a colorful menagerie of odd and unusual characters intermingled in a performance of their own reality.
The imagery of my work may change from botanical abstracts to figurative abstracts, but the inspiration remains constant: an interpretation of the ongoing alterations to our internal perceptions of what is real.
Biographical Information
Lisa Bartell was born in Albany, New York and raised in several areas of the country: Oakland, Ca, Syracuse, NY, Memphis, Tn. and Louisville, Kentucky. At the age of seventeen she moved to Mons, Belgium. She has now settled in Durham, NC with her husband Gary and two four legged children, Dexter and Drusilla. Bartell has two happy and healthy adult children, Sophia and Christopher.
Bartell’s mother encouraged creativity throughout her childhood, beginning with the design of Christmas and Valentine cards, walnuts turned into turtle pins and later Saturday drawing and painting classes at local art colleges. She went on to receive a BFA from Kent State University and an MFA from the University of Memphis. She also studied at Temple University’s Tyler School of Art.
After several years as an illustrator and portrait artist, Bartell began oil painting in 2002. Her current paintings are a positive expression of life, depicting whimsical figures and imaginary animals.
Bartell is an award winning artist having received two artist showcase awards from Manhattan Arts International’s “The Healing Power of Art” and honorary mention from the Durham Art Guild and Light, Space and Time Gallery. Bartell has had several solo exhibits and group shows juried by renowned artists Beverly McIver, John Beerman and John Rosenthal. Her work is in several private collections.
Bartell has been featured in Durham’s The Herald Sun and the Herald Sun Metro, the Raleigh News and Observer, The Chapel Hill Independent, Artsee magazine and Art Calendar magazine. Her work was seen on Good Morning America’s segment Bob Woodward Reports, “Unsung Heroes: Families of Wounded Soldiers.”
HagerSmith Design PA is located in Raleigh’s Warehouse District, right around the corner from VAE at 300 S. Dawson Street. The gallery is open to the public Monday-Friday 9am-5pm and on First Friday from 6-9pm on the First Friday.