A call for work about the environment

This is an open call exhibition hosted at National Humanities Center (NHC). This show will be installed in time for NHC’s three-day summit Beyond Despair: Theory and Practice in Environmental Humanities. VAE and NHC are looking to showcase art about, including, referencing, and showcasing anything in the environment.

Details
- Entries must be received by 11:59pm on January 31st, 2019
- Entries must fit through VAE’s 104″ x 71″ door to be exhibited.
- Juried with JPEGs.
- Two entries per artist. 
- Entries must be able to hang
- Entries can not be over 30 lbs
- VAE reserves the right to wire/re-wire work to best hang with the center’s system.

Schedule
Deadline for entries………………..…....11:59pm on January 31, 2019
Delivery of Accepted Work……….....…February 8
Exhibition Run………………….….…............February 14-July 29, 2019

Entry Fees
members………………..…$10 per artwork/$20 for two pieces*
non-members………..……$15 per artwork/$30 for two pieces*
*All entry fees are non-refundable.

Entry Information:

• All files should be named like so: 01_LASTNAME_TITLE.jpg, 02_LASTNAME_TITLE.jpg.

• Still images should be sent as jpegs should be at least 1000px at their widest dimension, not to exceed 2MB per image. 2D artists may submit one JPEG per entry. 3D artists may submit two JPEGS (one full shot and one detail) per entry. Follow the filename format for works as indicated above.

• Video samples should be edited to no longer than 2 minute excerpts. It is strongly preferred that video & audio artists submit their work online through clips or url addresses to online sharing formats like hulu, vimeo, youtube, or dropbox. Videos submitted as uploaded files should be submitted as Quicktime files whose width is no larger than 720px and file size is no larger than 10MB (as that is the largest file eligible for upload on our entry software). Please only submit video art or video documentation of an art piece that requires video to be fully experienced. Do not send video walk-throughs of static exhibitions or video slideshows. While web-hosted submissions are strongly preferred, video and audio samples can be submitted on CD if necessary. Please contact Kyle Hazard to make arrangements for CD delivery prior to deadline. Follow the filename format for works as indicated above.

• Audio: Audio should be submitted as separate MP3 files. Each track should be no longer than 2 minutes. Follow the filename format for works as indicated above.

• Web-based: Web-based work should be submitted as a URL listed in the work sample list. Please only submit web-based projects. A portfolio website that features audio/video art and still images will not be considered.

Eligibility
Beyond Despair is open to any living artist. A maximum of 2 works of any medium, per artist may be submitted. Two and three dimensional entries will be accepted. Work must be original and completed in the last 2 years. No copies, mechanical reproductions, molds or kit work will be accepted. Visual Art Exchange reserves the right to exclude work due to size or special requirements. Entries must be hand delivered to the gallery or mailed in a returnable container.

We will not exhibit or financially support work that co-opts the story of a community without representation from that community acting in a decision making role.

Accessibility
VAE’s gallery space is fully accessible and we strive to make the submission process accessible as well. We encourage anyone to enter our open call exhibitions. If you need any additional information or accommodations in order to enter this exhibition please email Kyle or call 919.828.7834.

Shipping Artwork
Ship artwork using a sturdy, reusable packing materials clearly labeled with your name and telephone number. Do not include return postage in case the artwork sells during the run of the exhibition. Following the exhibition each artist who shipped their work should generate a FedEx label and email it to our Director of Exhibitions so the piece may be returned. Do not use styrofoam packing peanuts. Shipments of artwork will be accepted January 9-12,2019.

Ship To:
Visual Art Exchange
c/o Kyle Hazard
309 W Martin Street
Raleigh, NC 27601

Sales
Visual Art Exchange will retain a commission of 25% for VAE members, 35% for non-members on all work sold during the exhibit. If a work is not for sale please indicate with NFS value in appropriate space during registration or on the consignment sheet. Click here to join VAE!

Liability
All entries will be handled with the utmost care and respect. VAE is not liable for artwork during transportation to or from the gallery but does carry a blanket inland marine policy that covers most fine art works and craft items up to $5,000. VAE reserves the right to refuse coverage to artwork with inherent vices, high values or that is deemed unstable. By entering into this show, the artist agrees to abide by all rules and regulations as set by exhibition guidelines.

Questions? Email Kyle!

SCOPE '19 Call-for-Art

Deadline to enter: 11:59pm on December 28, 2018
Exhibit dates: January 15-July 15, 2019

In partnership with Rex Heart and Vascular, VAE is producing one of our annual exhibits; SCOPE. The purpose of SCOPE: the southern landscape is to exhibit the widest range of “landscape” works possible in and alongside Rex’s Heart and Vascular’s extensive collection of local and regional artists. The South is a hub of creativity and Raleigh has adopted a vision to become the Southern Capital for Arts and Culture. To do our part, VAE and REX will exhibit landscape works by artists across the regional south, or works created in or inspired by the southern landscape.

Rex Heart and Vascular collects and exhibits the artwork of local and living artists in order to provide a positive environment for their patients and their families. The hospital features rotating exhibitions of artwork created by artists who believe that art can have a positive effect on people.

Details
- Entries must be received by 11:59pm on December 28, 2018
- Entries must fit through VAE’s 104″ x 71″ door to be exhibited.
- Juried with JPEGs.
- Two entries per artist. 
- Entries must be able to hang
- Entries can not be over 30 lbs
- VAE reserves the right to wire/re-wire work to best hang with the hospitals system.

Awards
1st place - $300
2nd place - $200
3rd place - $100

Schedule
Deadline for entries………………..…....11:59pm on December 28, 2018
Delivery of Accepted Work……….....…January 9-12
Exhibition Run………………….….…............January 15-July 15, 2019

Entry Fees
members………………..…$10 per artwork/$20 for two pieces*
non-members………..……$15 per artwork/$30 for two pieces*
*All entry fees are non-refundable.

Entry Information:

• All files should be named like so: 01_LASTNAME_TITLE.jpg, 02_LASTNAME_TITLE.jpg.

• Still images should be sent as jpegs should be at least 1000px at their widest dimension, not to exceed 2MB per image. 2D artists may submit one JPEG per entry. 3D artists may submit two JPEGS (one full shot and one detail) per entry. Follow the filename format for works as indicated above.

• Video samples should be edited to no longer than 2 minute excerpts. It is strongly preferred that video & audio artists submit their work online through clips or url addresses to online sharing formats like hulu, vimeo, youtube, or dropbox. Videos submitted as uploaded files should be submitted as Quicktime files whose width is no larger than 720px and file size is no larger than 10MB (as that is the largest file eligible for upload on our entry software). Please only submit video art or video documentation of an art piece that requires video to be fully experienced. Do not send video walk-throughs of static exhibitions or video slideshows. While web-hosted submissions are strongly preferred, video and audio samples can be submitted on CD if necessary. Please contact Kyle Hazard to make arrangements for CD delivery prior to deadline. Follow the filename format for works as indicated above.

• Audio: Audio should be submitted as separate MP3 files. Each track should be no longer than 2 minutes. Follow the filename format for works as indicated above.

• Web-based: Web-based work should be submitted as a URL listed in the work sample list. Please only submit web-based projects. A portfolio website that features audio/video art and still images will not be considered.

Eligibility
SCOPE is open to any living artist. A maximum of 2 works of any medium, per artist may be submitted. Two and three dimensional entries will be accepted. Work must be original and completed in the last 2 years. No copies, mechanical reproductions, molds or kit work will be accepted. Visual Art Exchange reserves the right to exclude work due to size or special requirements. Entries must be hand delivered to the gallery or mailed in a returnable container.

We will not exhibit or financially support work that co-opts the story of a community without representation from that community acting in a decision making role.

Accessibility
VAE’s gallery space is fully accessible and we strive to make the submission process accessible as well. We encourage anyone to enter our open call exhibitions. If you need any additional information or accommodations in order to enter this exhibition please email Kyle or call 919.828.7834.

Shipping Artwork
Ship artwork using a sturdy, reusable packing materials clearly labeled with your name and telephone number. Do not include return postage in case the artwork sells during the run of the exhibition. Following the exhibition each artist who shipped their work should generate a FedEx label and email it to our Director of Exhibitions so the piece may be returned. Do not use styrofoam packing peanuts. Shipments of artwork will be accepted January 9-12,2019.

Ship To:
Visual Art Exchange
c/o Kyle Hazard
309 W Martin Street
Raleigh, NC 27601

Sales
Visual Art Exchange will retain a commission of 25% for VAE members, 35% for non-members on all work sold during the exhibit. If a work is not for sale please indicate with NFS value in appropriate space during registration or on the consignment sheet. Click here to join VAE!

Liability
All entries will be handled with the utmost care and respect. VAE is not liable for artwork during transportation to or from the gallery but does carry a blanket inland marine policy that covers most fine art works and craft items up to $5,000. VAE reserves the right to refuse coverage to artwork with inherent vices, high values or that is deemed unstable. By entering into this show, the artist agrees to abide by all rules and regulations as set by exhibition guidelines.

Questions? Email Kyle!

BOBV2

Black on Black V2 

October 6 - November 25, 2017 

We’re seeing imagery that reminds us of Los Angeles in 1992, Tulsa in 1921 and Wilmington in 1898, and these incidents seem to show disregard for the lives of people of color. But we bounce back because there is a tremendous strength within our community.

BLACK ON BLACK V2 brings together artwork, performances, and programs that provide comfort, support, and inspiration as we navigate through our day-to-day.

Contribute to the conversation:
#BOBV2
#BlackOnBlackV2

Featured Artists

agape. 
Onicas Gaddis
Stephen Hayes
Precious Lovell
Mballa Mendouga
Anthony Patterson
William Paul Thomas
Sloane Siobhan
 

BLACK ON BLACK V2 Programming

Tuesday, October 10, 7pm
Screening of Ricky Kelly's "Black Beach/White BeCH" at NC State's African American Cultural Center

Friday, October 20, 6-9pm at Empower Dance Studio
Third Friday Dance Series and Exhibition

Saturday, October 21
Bus tour to the International Civil Rights Center + Museum in Greensboro, NC

Wednesday, October 25, 5-7pm at VAE
Intelligently Ratchet live podcast recording

Thursday, October 26, 7pm at VAE
Tri-Film Society Social Event and discussion of films focused on the lives of people of color. 

Saturday, November 4, Doors at 7pm, Show at 8pm at VAE
BOBV2 Comedy Night

Monday, November 6, 7pm at Anchorlight
Rhythms of Spoken Word with Nate Key

Wednesday Nov 8 from 7:00 pm – 8:30 pm at VAE
Black Entrepreneurs Panel Discussion

Thursday, November 9, 7pm at NC State's African American Cultural Center
Screening of "Whose Streets" 

Saturday, November 11, 2pm
Chavis Park Public Art presentation and Workshop with David Wilson

Saturday, November 18, 12-3pm
Hands-on art activity with artist Michelle Petelinz

the beginning of everything

April 1 - 28, 2016
VAE is excited to showcase drawings in our the beginning of everything exhibition, but we also challenged artists to help expand the idea of drawing. the beginning of everything is, of course, an exhibition that features skillfully rendered drawings, but will also showcases work that makes viewers question their ideas about drawing. This means the exhibition also includes architectural drawing, cartoons, blueprints, printmaking, digital drawing, illustrations, installation works, and a video that all connect to the idea of drawing.

The Juror
Alicia Lange, Director, SPECTRE arts. SPECTRE arts is a contemporary visual and performing arts venue in Downtown Durham, North Carolina. Alicia founded the space in 2011, restoring a historic 1910 church that now houses some of the Triangle’s best exhibitions. SPECTRE is a valued part of Durham’s thriving arts community and exhibits work by local, regional, and national artists.

The Art
Catherine Altice, Dancing, Drawing, Making Pictures
Mary Ann Anderson, Tethered
Tedd Anderson, Rest Ruin
Tedd Anderson, Face Transplant
Marnie Blum, Self Image
Rachel Borgman, After Velazquez: Drawing Tool for St. Thomas Aquinas After Summa Theologica
Sarah Bradley, Fly Through My Window My Sugar Lump
Jeannette Brossart, Rough Sketch
Erin Canady, Build Me Up
Meredith Cantrell, Dreams Like These
xiaoyu che, The Big Bang Theory
Katie Christo, Forest #4
Katie Christo, Forest #5
Renee Cloud, What Have I Been Doing Lately?
Janet Coleman, head strong
Caroline Coven, Cruciform Series_Opened
Caroline Coven, Cruciform Series_Cradle
Maready Evergreen, Spirit Bubble-Purposeful Movement
Maready Evergreen, Spirit Bubble – Fancy Visitors
Elizabeth Flock, Doodle Compendium
Ross Ford, 05/23/15 3:10pm
Colleen Garibaldi, Untitled (how much to reveal/out of my skin)
Beth Grabowski, 306-311 Burns.
Anita Joice, Bird 2
jean LeCluyse, Marty’s Bees
jean LeCluyse, Underdevelopment at Obey Creek
Janet Link, migration, 2
Janet Link, migration, 3
Angela Lombardi Zappala, La Specola
Greg Lookerse, Dried Stones
Greg Lookerse, I Am Teaching a Stone to Talk Relic
Kristin Lozoya, A Mother’s Journal: A Tale of Two Odd Birds
Loren Marple, Nerves
William McSwain, Compound Roof System
Richard Paxson, The Duke
Janelle Piotrowski, Bee Calm
Lisa Pors, Pencil Dress
Alex L. Porter, Together as One
Nancy Raen-Mendez, Profit
Ben Rauscher, Vulture
Chuck Siler, MakeFor366: January
Richard Stickney, A Sounding Device
Lindsey Stimpson, Living Skyline
Laura Sussman-Randall, Protest
Chris Vitiello, bad decision
Chris Vitiello, marry it
Jake Weigel, Void
Aaron Zalonis, 8am

See all of the artwork to be exhibited in the beginning of everything HERE!

CALL-FOR-ART: SCOPE 2016

DEADLINE FOR ENTRIES: 11:59pm on Wednesday, May 4, 2016

The purpose of SCOPE: the southern landscape is to exhibit the widest range of “landscape” works possible in VAE’s Main Gallery. The South is a hub of creativity and Raleigh has adopted a vision to become the Southern Capital for Arts and Culture. To do our part, VAE will exhibit landscape works by artists across the regional south, or works created in or inspired by the southern landscape.

Entries must fit through VAE’s 104″ x 71″ door to be exhibited. Juried with JPEGs. Two entries per artist. Entries must be received by 11:59pm on Wednesday, May 4, 2016.

The Juror
Daniel Fuller, curator, Atlanta Contemporary

Schedule
Deadline for entries………………..…....11:59pm on Wednesday, May 4, 2016
Notification of Accepted Works……….Friday, May 13, 2016
Delivery of Accepted Work……….....…Fri, May 27, 11am – 6pm & Sat, May 28, 11am-4pm
Exhibition Run………………….….…............June 3 – 24, 2016
Opening Reception…………..…….….......June 3, 6-10pm
Pick-Up of Unsold Work…………….....…Sat, June 25, 11am-4pm

Awards
The Brancato Award….….……$500
second…………………………......…..$250
third…………………………..……........$100

The Brancato Award
The Brancato Award will be given to an artist whose work has a unique take on landscapes. Kathy Brancato was a valued member of the VAE community who painted innovative landscapes. Kathy was also very supportive of her fellow artists and this award will allow her creative spirit to encourage other artists.

Entry Fees
members………………..…$10 per artwork/$20 for two pieces*
non-members………..……$15 per artwork/$30 for two pieces*
*All entry fees are non-refundable.

Entry Information:

• All files should be named like so: 01_LASTNAME_TITLE.jpg, 02_LASTNAME_TITLE.jpg.

• Still images should be sent as jpegs should be at least 1000px at their widest dimension, not to exceed 2MB per image. 2D artists may submit one JPEG per entry. 3D artists may submit two JPEGS (one full shot and one detail) per entry. Follow the filename format for works as indicated above.

• Video samples should be edited to no longer than 2 minute excerpts. It is strongly preferred that video & audio artists submit their work online through clips or url addresses to online sharing formats like hulu, vimeo, youtube, or dropbox. Videos submitted as uploaded files should be submitted as Quicktime files whose width is no larger than 720px and file size is no larger than 10MB (as that is the largest file eligible for upload on our entry software). Please only submit video art or video documentation of an art piece that requires video to be fully experienced. Do not send video walk-throughs of static exhibitions or video slideshows. While web-hosted submissions are strongly preferred, video and audio samples can be submitted on CD if necessary. Please contact Brandon Cordrey to make arrangements for CD delivery prior to deadline. Follow the filename format for works as indicated above.

• Audio: Audio should be submitted as separate MP3 files. Each track should be no longer than 2 minutes. Follow the filename format for works as indicated above.

• Web-based: Web-based work should be submitted as a URL listed in the work sample list. Please only submit web-based projects. A portfolio website that features audio/video art and still images will not be considered.

Physical Entries
Online entries are strongly encouraged. If you need to send your entries in via regular mail please send your entry form (use 2 entry forms if you wish to enter 3 pieces), a CD with entry files, & entry fee to:

Visual Art Exchange
Attn: Brandon Cordrey
309 W. Martin Street
Raleigh, NC 27601

Eligibility
SCOPE is open to any living artist. A maximum of 2 works of any medium, per artist may be submitted. Two and three dimensional entries will be accepted. Work must be original and completed in the last 2 years. No copies, mechanical reproductions, molds or kit work will be accepted. Visual Art Exchange reserves the right to exclude work due to size or special requirements. Entries must be hand delivered to the gallery or mailed in a returnable container. Artwork submitted on behalf of an artist requires written and signed authorization from the artist. Click here to view VAE’s exhibition policies.

Accessibility
VAE’s gallery space is fully accessible and we strive to make the submission process accessible as well. We encourage anyone to enter our open call exhibitions. If you need any additional information or accommodations in order to enter this exhibition please email Brandon or call 919.828.7834 ext 6 for assistance.

Shipping Artwork
Ship artwork using a sturdy, reusable packing materials clearly labeled with your name and telephone number. Do not include return postage in case the artwork sells during the run of the exhibition. Following the exhibition each artist who shipped their work should generate a FedEx label and email it to our Exhibitions Manager so the piece may be returned. Do not use styrofoam packing peanuts. Shipments of artwork will be accepted May 23-28, 2016.

Ship To:
Visual Art Exchange
c/o Brandon Cordrey
309 W Martin Street
Raleigh, NC 27601

Sales
Visual Art Exchange will retain a commission of 30% for VAE members, 50% for non-members on all work sold during the exhibit. If a work is not for sale please indicate with NFS value in appropriate space during registration or on the consignment sheet. Click here to join VAE!

Liability
All entries will be handled with the utmost care and respect. VAE is not liable for artwork during transportation to or from the gallery but does carry a blanket inland marine policy that covers most fine art works and craft items up to $5,000. VAE reserves the right to refuse coverage to artwork with inherent vices, high values or that is deemed unstable. By entering into this show, the artist agrees to abide by all rules and regulations as set by exhibition guidelines.

Questions? Email Brandon!

MEDIA

March 4-24, 2016
First Friday Reception: March 4, 6-10pm

The Exhibit
The purpose of MEDIA is to exhibit artwork from across the spectrum of artist’s materials. The exhibition has no theme, but strives to create conversations about the variations in a single medium and aesthetic between different media. The exhibition includes 48 pieces of artwork categorized by painting, drawing/printmaking, photography, video, mixed media, fiber/textile, digital media, and three-dimensional works.

The Artists
Jodi Aker, Beginnings
Bryan Allyn, Decay
Phil Ashe, Intuitive Impression
Phil Ashe, Deep Field
Morgan Benshoff, You’re Doing It All Wrong
Kelli Black, Don’t Worry Ladies, This Won’t Make You Big (After Jillian Michaels)
Chester Brewer, CREATURE PLAY
Jeannette Brossart, The Collector
Zac Buser, Bridal Veil
Jean Cauthen, Earthly Delights
laura (Yi Zhen) Chen, Barns with shadows
Rose Cleary, WEIRDSHAPES4
Renee Cloud, Memory Police, or, the Inability to Remember You Perfectly Twice
Janet Coleman, Preempt
Melinda Fine, The Showgirl
McArthur Freeman, Balloon Bump
Leif Gann-Matzen, Pelagic
Brian Gualillo, Blurred Concepts.
Rich Gurnsey, “I PICK YOU” BY THE AFFECTIONATES
Murry Handler, Daybreak=
Murry Handler, Glyphs#1, Sepia Rosetta
Kelley Hunter, It Started Out Grey
Leatha Koefler, Carolina Blue Lilly
Jana Lankford, Symphony
Elizabeth Laul Healey, On Edge
Elizabeth Laul Healey, Fallen Grace
Stephen Lindberg, Tectonics
Brandon Marshall, Untitled
Randy McNamara, FEELS LIKE TOMORROW
Bronwyn Merritt, Shamanic Medicine Cabinet
Cynthia Meyer, Vivid Color Memories
Luca Molnar, This Is Just to Say
Colin Murasko, Blue, Yellow-Green, Green
Frank Myers, Krispy Kreme Stripes
Constance Pappalardo, When words fail me
Jessica Parnell, Frost
Susan Piercecchi, Enigma
Alexis Price, “stuck in the crosshairs”
Cindy Pryor, “17 of 71 Blue”
Cindy Pryor, “My Father, My Son”
Robert Ringham, Feeding the light
Robert Ringham, Light Seeker
Tim Saguinsin, Critics (My Six Year Old Could Do That!)
Eric Saunders, Stick Castle No. 2
Richard Stickney, starlet
Anne Tello, #thinkdifferent
Richard Usanis, Abstract #156709
Aaron Zalonis, if you let those animals meditate they’ll kill us all

View all of the work exhibited in MEDIA here!

The Juror
Kathleen Rieder, Assistant Professor of Art +Design, North Carolina State University College of Design

About Kathleen Rieder
Kathleen Rieder has been a teaching faculty member in the Department of Art + Design since 1989. Her emphasis is in Design Studies. Kathleen Rieder has taught drawing, painting, color theory, mixed media, 2D Design and 3D Design, and the First Year Experience. She has taught a seminar in Contemporary Issues in Art + Design for juniors majoring in Art + Design for the past 13 years.

In addition to her teaching, she has actively exhibited her art. She has been selected three times to exhibit in the NC Artists Exhibition at the NC Museum of Art. In the past twelve years she has exhibited at the Hanes Art Center at UNC Chapel Hill; the Weatherspoon Art Museum at UNC-Greensboro; Meredith College; NC State College of Design; the Louise Wells Cameron Museum in Wilmington; and more recently at the Caldwell County Arts Council and the Mahler Gallery in Raleigh.

Questions? Email Brandon!

Contemporary South 2016

January 6 – February 25, 2016
First Friday Receptions: January 8, 6-10pm & February 5, 6-10pm

The Exhibit
The South is emerging as hub for creativity. Raleigh has adopted a vision to become the Southern Capital for Arts and Culture. To showcase the best artwork from the region here in Raleigh, Contemporary South highlights artwork from across the regional South. Since 2012 Contemporary South has been one of  VAE’s most popular exhibition, 2016’s exhibition will feature 77 pieces of artwork, made by 74 artists from 12 states across the region.

The Artists
Eric Adams, Self Service
Randy Akers, dawn sage
Mary Anderson, Looking Back
Amy Anderson, the lineup
Amy Anderson, The Wedges
Ashley Arakas, “Brevity and Bliss”
Peg Bachenheimer, Good Day Sunshine-Beatles
Devin Balara, Like A Rock
Brant Barrett, Rooster Time
Tamie Beldue, Bisect
Sarah Bielski, First and Ten; Do It Again
Jenny Blazing, Test of Time
William Breazeale, Across the Tracts (Durham CBD#6)
Zel Brook, Horseshoe Barn Roof
Michael Carlebach, Asheville, North Carolina
Micah Cash, Pickwick Landing, Downstream
Renee Cloud, You’re Obviously Not A Hood Girl
Peter Cotroneo, Sweat Sweater
Yvette Cummings Arendt, Voyeur Series
Dana Flynt, Fading Memories XI
McArthur Freeman, Pine App
John Gallagher, Portent
Laken Geiger, PRESENTPRESENCE
Callie Farmer Goss, Binding the Divergence
George Gregory, The Lovers
Jim Hallenbeck, Clothes on Line Along Huler’s Lawson Trek
Anthony Hamilton, Souvenirs #10
Alyson Hansen, Hidden Oak
Rebecca Jacobs, Erosion
Yalonda M James, Cypress Gardens 2
Kathryn Jill Johnson, Tower and Spire
Andrea Kainz, The Body Electric
Joyce Watkins King, Southern Ladies Must Cross Their Legs
Josiah King, Presence
Josiah King, Floor Advancing
Christin Kleinstreuer, Unraveling
Liss LaFleur, QUEEN
Lauren Lake, olate
Sam Lasris, See, Spot,….. Run
Elizabeth Laul Healey, Working Hard at Da Wash
Stephanie Leathers, walls
Gary James Lee, Blizzard
Cayce Lee, Akasha
Vivian Liddell, Swipes 2
Vivian Liddell, Swipes Video
M. Blair Ligon, While My Schoolroom Sleeps
Richard Lund, Broken Mirror
Sarah Martin, Foam Party
Rachel McClain, The Angelina Effect
Lambert McLaurin, “Motherwell’s Window” (abandoned mill)
Gary Mesa-Gaido, Unidentified Point of Departure #2
Rosalie Midyette, Lene
Julia Morrisroe, Your Eyes Proclaim Series #111913
Chieko Murasugi, Life’s Like That
Frank Myers, Fort Fischer Reenactors
Lake Newton, Clinton, Arkansas 2015
David Norcross, Color Conversation 1
Libby O’Daniel, The Tearing and the Torn: Them #2
Olivia Ouyang, Home
Jena Pendarvis, Terra Incognita #1
Nora Phillips, Voladores IV
Zack Rafuls, Difference & Repetition: For Sun Ra & Gilles Deleuze
Andrew Regan, Coat Check
Branch Richter, Through the Peephole
Kathleen Rieder, screen door
Robert Ringham, Little House on the Prairie
William Ruller, Stone Fist
Eric Saunders, Faces At The Fair
Bryce Speed, Yellow Bark
Caren Stansell, Circulation
Teresa Stephens, Four Sided Pyramid
Sterling Stevens, Home Sweet Home
Megan Sullivan, Open
Kulsum Tasnif, Journey to The Good Life
Daryl Thetford, The Search for Balance
Carrie Tomberlin, Pow Wow Contestant, Cherokee, NC
Jenny Williams, Café

View all of the works exhibited in Contemporary South 2016 here!

The Juror
Kristin Fleischmann Brewer, Manager of Programs @ Pulitzer Arts Foundation

About Kristin Fleischmann Brewer
Kristin Fleischmann Brewer is the Manager of Programs at Pulitzer Arts Foundation, where she has worked since 2011. Over the past 3 years Brewer has mounted over 100 programs; founded a grants program that awarded $60,000 to local and national artists to implement community projects. Brewer is also the co-founder and former director of Enamel Art Space in ST. Louis, which exhibited work of local and national visual artists. Brewer received her MFA in painting from Washington University in St. Louis in 2011 where she was the recipient of the Mr. and Mrs. Spencer T. Olin Fellowship for Women.

About Pulitzer Arts Foundation
Mission – Through engaging exhibitions, programs, and partnerships with artists, curators, and innovators across disciplines, Pulitzer Arts Foundation strives to inspire both the St. Louis community and international arts audiences to think differently about creativity in daily life.

The Pulitzer Arts Foundation presents a wide range of exhibitions, including those of Old Masters, Buddhist art, important modern and contemporary artists and group exhibitions that explore a diverse array of themes and ideas. In addition to its curatorial platform, the Pulitzer offers a robust roster of programs that bring together leading figures from fields such as art, architecture, design, urban planning, social work, technology, and science. Established by curator, philanthropist, and arts patron Emily Rauh Pulitzer, Pulitzer Arts Foundation promotes the significance of art in everyday life and its impact on the health and success of a community.

Questions? Email Brandon!